Thursday, April 9, 2009

Jack Wrangler died

I just read the obituary in the paper. I knew Jack, not well but I worked with him in San Francisco in the late 70s but hadn't seen him since then. Jack had come up from LA to do a play titled “Rusty”. He played the title character. Reading the obituary had that time and circumstance come flooding back to me.

I had been engaged to build the set, and design and run the lights for the show. It had been written by a teacher at what had been Lone Mountain College in San Francisco. It was about an aging college teacher and his relationship with one of his students – Rusty. Frankly it was a bit of a soap opera. Rusty has affair with other young men; aging teacher is jealous; Rusty goes off on an odyssey; returns and is diagnosed with some unnamed but fatal disease (no it was not aids, at that time aids was not really on anyone’s radar screen and was just beginning to have an impact on homosexual men).

If you think if sounds a bit like Camille, you’re right. In the end Rusty is responsible for reconciling with the aging teacher and gathering around him on his death bed all those who were important to him: aging teacher, his mother, and one of the young men he had had a relationship with. Then he dies.

The author, of course took this all very seriously. Unfortunately for him (but fortunately for the box office) the audience did not. The gay community flocked to the show. It was a hoot. For them it was too campy for words and every night they just howled. Word of mouth was great and we were a financial success. Author was not happy.

What really made this ironic is that the play was being staged in what had been a legendary burlesque house on Broadway in North Beach, the Chi Chi. Up until the play opened at the Chi Chi (managed by a Japanese Fan Dancer named Miss Keiko) it was continuing to do traditional burlesque strip tease, complete with a runway down through the center of the audience. The girls would come out and do their striptease vignette (one girl had a roll-on bathtub in which she pretended to run water and then strip to get in the tub). They only stripped down to a g-string – bare breasts but no full nudity.

At any rate, the runway remained and at every opportunity, the script called for Rusty to become completely naked and work his way up and down the runway while doing his dialogue. As I said it was a hoot.

This all came back when I read of Jack’s death.

P.S. Miss Keiko also managed the Chez Paris just south of Geary off Union Square. It to was a strip club but not in the traditional sense as was the Chi Chi. Girls did the standard pole dances, etc. What was always interesting to me about this club is that in an earlier incarnation it was a traditional night club and was the location for some of the night club scenes in Frank Sinatra’s “Pal Joey”.

Wednesday, April 1, 2009

Spade & Archer & San Francisco

Other than re-reading The Maltese Falcon, what better book to read over a long weekend in San Francisco than Joe Gore’s Spade & Archer?. Atmospheric and entertaining, Spade & Archer is a ‘prequel to Dashiell Hammett’s The Maltese Falcon.

I am a long-time fan of Hammett and Sam Spade. And also as a long-time – though now former – resident of San Francisco I have always seen the three – Hammett, Spade and the City - as of a piece Gore’s tale of Sam Spade, told in the style of Hammett, fits nicely in that piece.

The novel follows Sam Spade over a number of years in the 1920’s as he moves from working for Continental Ops in Washington State to setting up his own detective agency in San Francisco. As it is a ‘prequel’ and as the title suggests, it culminates just at the point that The Maltese Falcon begins.

Along the way Spade is involved in a series of investigations, each in its own way leading to the books conclusion. We also meet characters that will populate The Maltese Falcon: Spade's secretary Effie Perrine and San Francisco cops Dundy and Tom Polhous. We learn much about the relationship among Spade and Miles and Iva Archer and how the Spade & Archer partnership came to be. We learn more about Sam Spade and the picture of the character we see in The Maltese Falcon becomes fuller.

But then there is that wonderful character, the city of San Francisco. Gores puts us on the streets, in the neighborhoods. He evokes the essence of the City. We feel the chill of the fog, we hear the the sound of the harbor and the bay, we taste the food.

I read the book while in San Francisco and as I noted that was so appropriate. But you don't have to be there to enjoy the read. Pick up the book, it will take you there.

Monday, March 30, 2009

Sunday in San Francisco


Watching the sun come up on Coit Tower again this morning. We are on the 24th floor and have a great view of Telegraph Hill, Alcatraz, Angel Island and the rest of the bay. Another spectacular day in San Francisco. Unfortunately, we are leaving today. It has been a short but wonderful weekend. I miss this city very much.

In our wandering around, Terry and I looked at flats and houses. A lot of open houses, so it was easy to check them out – of course Terry loves doing this everywhere including our neighborhood in Denver – and we saw some that would work well for us. If we only had the money.

One we particularly liked, in Russian Hill, was a property originally owned by the photographer Imogen Cunningham. As such it had particular appeal to me. Wonderful garden patio, three floors and views of the Golden Gate and Marin Headlands. It would do quite nicely for us, though we discussed how we would remodel to make it really fit our needs. It was, however, $2 Million. Ah, well.

Dinner Saturday night was at the Hyde Street Seafood and Raw bar. One of our favorites here (there are actually a lot of favorites). Sunday night we had planned on Yabbies on Polk, but after a full day walking, shopping (another birthday present for Lila among other things) and a full lunch at Rose Pistola, we opted for Brandy Ho's: closer, simpler and hotter (Hunan).

Lunch/Brunch at Rose Pistola's in North Beach was great fun. 2 hours of people watching and food. I had egg pizza which I had never had before. Very good. I will probably make it at home sometime. I know it sounds odd, but it is really quite good. Oh, and did I mention that to pass the time people watching I had a Bloody Mary, followed by a bottle of Prosecco (we shared) and finished with 2 Grappa and Espressos. What a way to spend a Sunday.

Tuesday, January 13, 2009

Hat etiquette

The Stock Show is in town and as is traditional, the day of the parade down 17th street is declared 'western wear' day by the Mayor. A lot of 'cowboy paraphernalia' was in evidence around town, particularly in the City and County Building and the Webb Building. Lots of Cowboy hats. The Mayor was even sporting one.

I don't often wear a hat to work (on very cold days to keep my head warm) but have been wearing a cowboy hat for years. In my younger (rodeo and roping) days I wore one all the time. I wore one today: 20X Beaver.

As I got into the elevator I, as I always do, took my hat off. It is a matter of good manners to remove a hat indoors, but particularly in an elevator: a gentleman always removes his hat in an elevator.

It got me thinking about hat etiquette. That etiquette was commonplace when men wore hats regularly but once Jack Kennedy made going bare headed acceptable the etiquette went away (for the most part) as well - though the hat has made a comeback, it is the ubiquitous 'baseball cap'' which I am not sure counts.

At any rate, as I took my hat off in the elevator, I was reminded of long-time Dallas Cowboy football coach Tom Landry. Tom was old school. Always dressed in a jacket and tie on the sidelines and always wore a hat: a short brim fedora, if I remember correctly. The only time he did not wear his hat was when they played in a domed stadium. He noted that hat etiquette had always taught him that a gentleman did not wear his hat indoors and since a domed stadium was 'indoors' he would not wear his hat.

I guess I am old school, as well.

Wednesday, December 31, 2008

London on New Year’s

Awaiting the fireworks over the London Eye: We ate a little Italian restaurant near our hotel, not the most elegant meal we have ever had but quite good and of course Terry enjoyed the people-watching.

Since then, we have returned to our hotel and spent the time in the Executive Lounge (only place for free WiFi) contemplating what we may do for the rest of our time in London. Also spent some time reaffirming why we love each other and how important each of us is to the other. I would be bereft without Terry.

Earlier we went to the theatre. We saw a new version of PIAF. It was terrific (although I hate the fact that in a theatre as small as the Vaudeville - maybe 600 seats - the producers felt the need to use wireless mikes on the actors). Piaf herself would have been appalled. She gained notoriety for the power of he voice (honed by singing over the traffic in Paris). The actor had the vocal power to replicate that, so not sure why the need for mikes.

As an old-fashioned actor myself, I pride myself on the ability to hit the back wall (even in a state-whisper) without the need for amplification. Unless you are in the Greek Theatre in Los Angeles, or some 5,000+ seat house anywhere, you should not need amplifying. Okay, sermon over.

We loved the show, the cast as a whole was quite good, but the woman playing Piaf and the woman playing Marlene Dietrich were particularly outstanding.

London Theatre – what a joy.

London on New Year’s

Awaiting the fireworks over the London Eye: We ate at a little Italian restaurant near our hotel, not the most elegant meal we have ever had but quite good and of course Terry enjoyed the people-watching.

Since then, we have returned to our hotel and spent the time in the Executive Lounge (only place for free WiFi) contemplating what we may do for the rest of our time in London. Also spent some time reaffirming why we love each other and how important each of us is to the other. I would be bereft without Terry.

Earlier we went to the theatre. We saw a new version of PIAF. It was terrific (although I hate the fact that in a theatre as small as the Vaudeville (maybe 600 seats) the producers felt the need to use wireless mikes on the actors. Piaf herself would have been appalled. She gained notoriety for the power of he voice (honed by singing over the traffic in Paris). The actor had the vocal power to replicate that, so not sure why the need for mikes.

As an old-fashioned actor myself, I pride myself on the ability to hit the back wall (even in a stage-whisper) without the need for amplification. Unless you are in the Greek Theatre in Los Angeles, or some 5,000+ seat house anywhere, you should not need amplifying. Okay, sermon over.

We loved the show, the cast as a whole was quite good, but the woman playing Piaf and the woman playing Marlene Dietrich were particularly outstanding.

London Theatre – what a joy.

Tuesday, December 30, 2008

In London

Long overnight flight from Denver via Chicago. We are in London, ensconsced in a room at the London Hilton Park Lane.

Arriving at 6am, then car service to the hotel (arriving at 7:30am) in hopes of having a room ready. Not to be, though we were able to spend a couple of hours in the Executive Lounge having breakfast and waiting for our room to be prepared. Ready shortly after 9:00am. A shower, and a nap and we are ready to get out and about.

London at Christmas is London as it always is: the greatest city in the world. We love Paris, and San Francisco and Singapore, but London is just London. Our room has a great view of Green Park, St. James Park, Buckingham Palace, Westminster and the London Eye..

Right now, we are sitting in the Exec. Lounge drinking wine and trying to decide what plays we want to try to see.

It is cold here (big surprise) but there still is no place like London. Tomorrow we will head to Leiscter Square and the Half Price Ticket Booth to see what is available. Looking forward to seeing some great theatre. Usually the serendipitous find is the most rewarding.

We will also do our traditional ride down the Thames to Greenwich to see where time starts, always appropriate at the New Year. We do this boat ride after having bought an eggnog Latte (yes I know Starbucks, but what the hell) and topping it off with some brandy. You simply don't mind the cold and the view along the river is great.

We may try to ride the London Eye again (the best view of central London you can get), but whatever we do, it will be great.

It is London, and Terry and I are together.

Cheers for the new year.